Nature (or, that which I see) inspires me, puts me, as with any painter, in an emotional state so that an urge comes about to make something, but I want to come as close as possible to the truth and abstract everything from that, until I reach the foundation (still just an external foundation!) of things…” ![]() Bremmer in 1914 sums up his thoughts: “I construct lines and color combinations on a flat surface, in order to express general beauty with the utmost awareness. His letter to Dutch art critic and painter H.P. Quite to the contrary, they deeply influenced his abstract paintings. In fact, landscapes and nature were never far from Mondrian's mind. Mondrian used the same compositional rules from his early landscape and still life paintings to balance these revolutionary abstract works, which is part of what makes them so aesthetically pleasing. What may seem random to the untrained eye was actually the culmination of years of training. (Photo: Public domain via Wikipedia)įrom there, Mondrian immersed himself in his work, laying out lines and color combinations with the utmost of care. Together with van Doesburg, he started De Stijl (The Style), a publication where he was able to describe his new art philosophy, which he called neoplasticism. Van der Leck was only using primary colors in his work, and this had an immediate impact on Mondrian. ![]() He took up residence at an artists' colony in North Holland, where he linked up with fellow freethinkers Bart van der Leck and Theo van Doesburg. But his return didn't slow down his innovative spirit. When World War I broke out, Mondrian was visiting the Netherlands and was forced to wait out the war in his home country. Their influence appears in his work, which moved increasingly toward abstraction. Daring thinkers like Pablo Picasso and Georges Braque were already there laying the foundations of Cubism, and Mondrian wanted to be part of it. For instance, Mondrian was keenly aware that the center of the art world had shifted to Paris by the early 20th century. This, coupled with his instinct to go where the action was, helped make his career a success. “Wood with Beech Trees” by Piet Mondrian, 1899.
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