He would then use small brushes, adding tiny strokes of oil paint to ensure hyper-realistic results. He often started by covering his surface with a white ground (similar to how artists today use white Gesso to prime canvas) and then painted in his horizon line, sky, and landscape.įor his important figures and subjects, he would add a highly-detailed drawing over the top of his empty landscape in black or blue pencil. Salvador Dali’s painting methods & materialsĭali typically painted on stretched canvas or wood panel, although some of his earliest works are on cardboard as well. Today, he’s known as one of the most prolific Surrealist artists in history. This led to frequent rifts in the Surrealist movement, as various artists and writers connected with the creative aspect of Surrealism, but not the political.ĭali was one of the many artists who eventually distanced himself from that group in Paris-and over the next several decades, his name and fame grew even brighter than Breton’s. He wanted to use it as a political movement as well-first by changing the way that people viewed the world around them, and then helping the downtrodden rise up against their oppressors. Yet Breton wasn’t only interested in the creative aspect of Surrealism. Freud’s invention of psychoanalysis and emphasis on the subconscious, dreaming mind was a large influence on their efforts to create art and literature through the use of automatic or subconscious effort, rather than logical planning. Like the members of the Dada movement before them, the Surrealists believed that logical thought was at the root of all the world’s problems. To make us wonder, even if just for a second-what is real? Even at this comparatively young age, though, Dali wanted to force his viewers to encounter something indescribable, undefinable, unknowable. Later in life, Dali often spoke about his desire to confuse the viewer’s eye with hyper-realistic imagery that conveyed impossible, dreamlike scenes. It was far removed from the center of Spain-in fact, his cottage was just 25 miles south of the French/Spanish border.But Dali had already visited Paris several times, and had begun to experiment in the fledgling movement of Surrealism.Īnd it was here in this strange, rocky coastline that Dali would take the seeds of what he’d learned in Paris and Madrid, and craft something new-something eminently “Dali-esque.” He was 27, and living in a recently-purchased fishing cottage in the town of Port Lligat on the Mediterranean Sea with his future wife, Gala. To answer all of these questions, let’s first take a short trip back to 1931, the year that The Persistence of Memory was painted.īy 1931, Salvador Dali had already attended (and been expelled from) San Fernando Academy of Art in Madrid.
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